It is perhaps my most accessible song with easily my melodic and carefully performed vocals. It is a synthesis of all my ideas (everything else is in Audiomachie perhaps). On some way, the instrumentation takes me back to 2001 when I have first made a piece with organ, violins and hidden organic textures. It was around that time when I started to really sound like something I enjoyed. Obviously, this new piece is a little bit more complex than the piece I have made back then. A recurring sound in my mind is now fully developed in reality.
Now appears on Audiomachie / Logomachie - 2009, available here :
http://www.freakywaves.com/bergerrond/fr/node/207

Perhaps my most natural sounding composition; made with bass viole de gambe (such a terrific resonance, this instrument), cellos and violas, transversal flute (with haunting hiss), various heavy and light percussions. It features almost no dissonance and in terms of imagery, it is the alter ego of Bruissement de griserie. Perhaps, to fix a ship, we need to invent upside down navigation. Only two takes were needed by Viveka Eriksson, all these incredible vocals were in there !! Now appears on Forecast Proof - 2009, available here.

Vocals composed by Viveka Eriksson and Liz Alice, edited and mixed by Berger Rond. Instrumental composition and original lyrics by Berger Rond (modified by Viveka and Liz). Now appears with a different mix on Etrange en Compagnie - 2010, available here.

Intention dévorante

Devouring intention

C’était la nuit devant
Encore une attente préliminaire
Je croyais me déprendre systématiquement

Quelque part, il y a des oublis vitaux
Nous allons tirer des possibles
Quelque part, des possibles oublis vitaux
Oublis, nous allons en tirer

Diva ! Devouring intention

Devouring in tension ! / vitaux

Be there, we need you
a preliminary wait / youuuu...

Diva ! Devour..
From them, devouring !

Prendre la porte !