Bergerrond (Berger Rond) présente la musique spasmacousmatique (all languages songs, schizophonia) de Vincent Bergeron sous son pseudonyme d'affirmation et de contradiction introvertie et extravertie. C'est dans le plaisir du jeu et de la complication volontaire et salutaire d'un monde meilleur. Ce monde on le voudrait plus honnête et expressif de réalités tangibles et en même temps fantastique et imaginaire, sans appui dans la réel. Nous y parlons bien de ces réalités souvent tenues dans le silence par peur des émotions et les extrêmes d'instabilité qu'elles peuvent amener (philosophie impossible ou trop facile, ennuyante à appliquer, relations sociales troubles, sexualité mal vécue, maladies mentales, environnements dangereux et à la dérive...). Cependant, le Berger Rond demeure une création imaginaire joyeusement à l'écart du concret. Également, Vincent peut lui-même être très rationnel et froid lors de la composition de ses instrumentaux alors il aime aussi se confronter lui-même pour mieux apprendre de la vie et en espérant aider les autres à sa manière. Il commence par aider les sons victimes d'injustice musicale par incompréhension. Il les accompagne et les encourage dans leur capacité à remettre en question les convictions bien pensantes. /// We talk really well of these realities often kept in silence by fear of emotions and unstable extremes that they can bring (impossible philosophy – or too easy, boring to apply – problems with social relationships and sexuality, mental diseases, dangerous environments, environmental causes...). At the same time, Berger Rond is still an imaginary creation that is joyfully not found in all things concrete or nice beliefs by average people. Over the years, collaborators helped me, Philippe Bergeron, Marco Oppedisano, Viveka Eriksson, Frédéric Szymanski, Marco Rosano, Daniel Knox, Laura Kilty, Alexandra Fol, Bruce Hamilton, Jörg Fischer, Anthony Tan, Liz Alice, Amy Kohn, Chloé Ferguson, Gregory Jacobsen, Jim Goodin, Charles Barabé, Jurica Jelic, Markus Breuss, Thilo Schact, Bob Marsh, Daniel Stearns, Les Déviergeurs de Tympans, Philippe Canovas, Yoko K., Fabienne Lucet, Carlo Serafini, Steve Moshier, Ben Carey, Drucpa Dracous, Matt Rosin, Tiny Orchestra and Daniel Zelonky. -- Vincent Bergeron -- vincentbergerond@gmail.com
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New Official Vincent Berger Rond Site

While I don't expect to crush this drupal site for now, I might not update the content anymore.
Instead, the new Official Site can be found on the main freakywaves.com part under the top menu under Vincent at the extreme right :
http://www.freakywaves.com/vb/Vincent/music.htm

Willem Breuker – ...Superstars – 1978, Destination Out

 

Vincent Berger Rond - En dehors de tout - partie 1
http://bergerrond2.bandcamp.com/album/en-dehors-de-tout-partie-1
 

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Berger Rond : FREEMASTER January issue

 
Berger Rond : FREEMASTER January issue
http://earlabs.org/?p=3745
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Vincent Bergeron aka Berger Rond is the first artist who was selected for the EARLabs FREEMASTER PROJECT*. Berger Rond offered no less than 97  minutes of music to be mastered. This blog gives an impression of the mastering process.
 
MUSIC

Berger Rond, Alex Pelchat, Preston Beebe, Vergil Sharkya 
http://vimeo.com/59165973
Vidéo filmée par Ed End. 
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C'était le Mardi Spagghetti du 22/01/2013 au Cagibi.
freakywaves.com/bergerrond/
facebook.com/vergil.sharkya
https://www.facebook.com/durabriterultra
http://www.prestonbeebe.com/

 Georg Gräwe Quintett New Movements - 1978 – Destination-Out 
 
Untamed wildness by 20 years old pianist Georg Gräwe on this early effort that grabs me by the throat and the guts, unlike most jazz heard in my life of a music composer who have a tendency to end up jazzy more than actually listen to any variation of jazz music. It is true that my ears do not always know what to do with the kind of energy and vibe the top musicians of the genre have to offer. As an almost no-improviser who have lived away from musicians for so long, I can still only guess how music works for them.

 Pat Muchmore – The Music of Pat Muchmore - 2010 – Anti-Social Music
 
Sometimes when I discover an obscurity that I love, I get a little too excited about it, yet I always figure out why I do so. It is remarkable how you can always trace the source of your excitement for anything and once the true sources have been identified, you might not lose interest for your subject of excitement, but at least you can relax about it more easily.
 

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Mount Eerie - Wind's Poem - 2009

 I am always looking for a certain new feeling as a listener and music composer. Even if a musician or songwriter is better than most at what he does, if this feeling is not there, I will never get excited about him. Poetry of sound is my fascination, not professional musicians superiority over others. It is remarkable to me how many great professional musicians have about zero ear for poetry of sound. And it is not something you can learn from somebody else either. You have to figure it out by yourself, it is to me the talent of solitude.
 

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